" AMERICA AMERICA GO WHERE? " 3 movies of former young lions of American cinema 70 years 
The choice seems obvious, trivial but these films have a strong film in many ways that it was hard not to present them in this review. Probably many would have seemed sensible to choose a pù Coppola less predictable, perhaps "The Conversation", a masterpiece and a fine use of sound. Or maybe brush up on Scorsese's excellent debut title, "Boxcar Bertha" and "Alice Does not Live Here Anymore, for example, but we wondered how long not seen and how many people may have seen on the big screen these three titles need a big screen. And we could not avoid programming ... Anyway: TUESDAY March 2: "APOCALYPSE NOW REDUX (1979 FFCoppola), the titanic, Wells delirium of Italian-American film crews that weakens the author and sent to a psychiatrist; film immense and fluid as the river looking for Kurtz percoirre Willard and heart black who dwells within us. Tuesday 9 March: "TAXI DRIVER". Without disturbing the Vietnam but with a protagonist who leads him in the soul, Scorsese is hell in New York in mid-seventies, with a presumed moral degradation (significant presence of pornography, straight from Sin Valley to amplify the sense of context ). Travis lives the contradiction of the alien (Vietnam veteran) who wants acceptance but is unable to live when This comes in the guise of Cybil Shepherd. Dostoyevsky throughout his illness is transferred outside. The company is running and I have to clean up. Schizophrenia that recurs in our times, with the forms of racism that are used to catharsis of personal problems and the inability to bear the social change. TUESDAY March 16: "Duel" (1971, Steven Spielberg) is a brilliant tour de force of the then 26 year old little genius of American cinema. Between western and Moby Dick, adapted from a story by Matheson, Dennis Weaver suffers the nightmare of a black presence that haunts him. When will the successful challenge of his life will lose meaning, a simple middle-class American challenge the unknown but this entry in his life brings more trivial values, not all unpleasant. High voltage, film to the nth by the use of the spaces that are always those of Ford. SIN ONLY SEE THEM ON TV ....
The choice seems obvious, trivial but these films have a strong film in many ways that it was hard not to present them in this review. Probably many would have seemed sensible to choose a pù Coppola less predictable, perhaps "The Conversation", a masterpiece and a fine use of sound. Or maybe brush up on Scorsese's excellent debut title, "Boxcar Bertha" and "Alice Does not Live Here Anymore, for example, but we wondered how long not seen and how many people may have seen on the big screen these three titles need a big screen. And we could not avoid programming ... Anyway: TUESDAY March 2: "APOCALYPSE NOW REDUX (1979 FFCoppola), the titanic, Wells delirium of Italian-American film crews that weakens the author and sent to a psychiatrist; film immense and fluid as the river looking for Kurtz percoirre Willard and heart black who dwells within us. Tuesday 9 March: "TAXI DRIVER". Without disturbing the Vietnam but with a protagonist who leads him in the soul, Scorsese is hell in New York in mid-seventies, with a presumed moral degradation (significant presence of pornography, straight from Sin Valley to amplify the sense of context ). Travis lives the contradiction of the alien (Vietnam veteran) who wants acceptance but is unable to live when This comes in the guise of Cybil Shepherd. Dostoyevsky throughout his illness is transferred outside. The company is running and I have to clean up. Schizophrenia that recurs in our times, with the forms of racism that are used to catharsis of personal problems and the inability to bear the social change. TUESDAY March 16: "Duel" (1971, Steven Spielberg) is a brilliant tour de force of the then 26 year old little genius of American cinema. Between western and Moby Dick, adapted from a story by Matheson, Dennis Weaver suffers the nightmare of a black presence that haunts him. When will the successful challenge of his life will lose meaning, a simple middle-class American challenge the unknown but this entry in his life brings more trivial values, not all unpleasant. High voltage, film to the nth by the use of the spaces that are always those of Ford. SIN ONLY SEE THEM ON TV .... 
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